We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions such as abstract expressionism - are daily devalued by commercial art.

After Wakefield Poole's films, mine are unnecessary and a bit naive, don't you think?

Sex is more exciting on the screen and between the pages than between the sheets.

Isn't life a series of images that change as they repeat themselves?

Think rich, look poor.

I do mostly portraits. So it's just people's faces, not really any ideas.

Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why.