So anything that's not absolutely needed, we would cut it [footage] out, which would make me very insecure; everything has to work, and it's a water movie in 3D with a kid, animals. So the more I do that, the more I'm scared of "What if it doesn't go the way we want it?" But we had to do that to meet the budget, otherwise we wouldn't even have a start-date.
Ang LeeI basically made the movie from the crew's suggestions. For one scene, I wanted some kids' toys against the wall in Mikey's room, to give the scene texture, and we tried a field hockey stick. It looked really good to me, until someone had to say that in America, field hockey is more of a girl's game. Gradually I got tuned into the world - that happens on every movie.
Ang LeeA lot of people will think I changed the book: โso youโre the tiger instead, youโre the tiger who ate the cook.โ Thatโd be totally expository, like in the book, โyouโre the tigerโ and then it stops there. That seems to have the magic touch. I bring everything together. Thatโs why he made up the story, the whole thing becomes internalized. That might be the magic, but all I did is not so much interpreted, but try my best to keep everybody still staying in the movie. And I was like, โGod, itโs so hard to do.โ I make movies for a long time. It doesn't get easier.
Ang LeeI try to be a partygoer. But at some point I don't know why I'm doing it and fall back. I've been using repression, the struggle between behaving as a social animal. You're seeking to be honest with your free will, less conflict. I think that's an important subject with me. That's who I am, how I was brought up. I think I use that a lot. I mistrust everything I think. Things you think you can trust, believe in, or hang on to, changes. That's the essence of life.
Ang Lee