He is the intermediary between us, his audience, the living, and they, the dolls, the undead, who cannot live at all and yet who mimic the living in every detail since, though they cannot speak or weep, still they project those signals of signification we instantly recognize as language.

And, indeed, is there not something holy about a great kitchen?... The scoured gleam of row upon row of metal vessels dangling from hooks or reposing on their shelves till needed with the air of so many chalices waiting for the celebration of the sacrament of food. And the range like an altar, yes, before which my mother bowed in perpetual homage, a fringe of sweat upon her upper lip and the fire glowing in her cheeks.

we must not blame our poor symbols if they take forms that seem trivial to us, or absurd, ... however paltry they may be; the nature of our life alone has determined their forms.

If the Barbarians are destroyed, who will we then be able to blame for the bad things?

They will be like shadows, they will be like wraiths, gray members of a congregation of nightmare; hark! his long wavering howl . . . an aria of fear made audible. The wolfsong is the sound of the rending you will suffer, in itself a murdering.

They were connoisseurs of boredom. They savoured the various bouquets of the subtly differentiated boredoms which rose from the long, wasted hours at the dead end of night.

Spindly branches of buttercups were secreted among gleaming stems still moist at the roots from last night's rain that had washedand refreshed the entire wood, had dowered it in poignant transparency, the unique, inconsolable quality of rainy countries, as if all was glimpsed through tears.