It was an extraordinary experience to have backup singers like the Mormon Tabernacle Choir. I have never experienced anything quite like it before and I wouldn't trade it for anything in the world.

I haven't been back to London for 40 years to do a play, so to play Madame Arcati there, she would be tickled to death knowing that that was what I was doing. I hope she would. She was a wonderfully unique and very special, very darling woman.

I played the Piccadilly Theater with "Gypsy" and also the Old Vic, and I've done other shows in London, but not for 40 years.

I honestly feel that "Murder, She Wrote" stands alone, as many of the other great shows of the past 35, 40 years do. It stands alone, and it's still on. It's still all over the world, "Murder, She Wrote," Jessica Fletcher and "Murder, She Wrote."

The thing I always say is that I wasn't going out reaching for roles, I wasn't fighting for roles - people came to me. They always came to me.

I started in London, as a kid. My mother knew I had sort of an inbred talent. She was an actress, so I inherited it from her. But I think I got a lot of it from my grandfather, who was a great politician.

They're great devotees of Noel Coward in England, of course, he's a favorite son, and so to play Coward in London is such fun, and anyway, the role is such a crazy lady. I just love doing that.