I had a lovely experience once in Africa working with the U.N. when a president of a country met me about refugee issues and said ‘What do you do?’ I said ‘I‘m an actor.’ He replied ‘I heard that was a very difficult job and might not be the smartest job to do.’ It was lovely.

The life changing moment for me what the first time I went to a war zone and that was Sierra Leone. I took two weeks, eleven years ago and I went. I wasn't an Ambassador or anything I just asked to go and I was allowed to go. It was like someone smacked me in the face.

It's very important that people understand that for refugees to come into the USA is very difficult. What upsets me about the whole situation is that people don't know the difference between a migrant and a refugee; they don't have respect for what people are coming from - the people who against it - and they have completely forgotten this is what built our country, the diversity. When it is put forward that masses of people are dangerous, and the actual numbers and the situation are proven to be completely the opposite of the way they're presented publicly, it's horrible.

I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.

I guess that I've always wanted to be a Bond villain.

On the superficiality of the industry: We are setting an example of what we think is beautiful and you really want to put that much make up on me?

There is so much more to understand.