I never bothered with cars. I was probably one of the few kids in school who didn't run around with hot-rod magazines. As I would be at home fiddling with my guitar, they would be fiddling with a car engine.

That's usually what happens with AC/DC: you make an album, and then you're on the road flat out. And the only time you ever get near a studio is generally after you've done a year of touring.

Some people say we have thirteen albums that all sound the same. That isn't true. We have fourteen albums that all sound the same.

Actually, because I'm so small, when I strike an open A chord I get physically thrown to the left, and when I play an open G chord I go right. That's how hard I play, and that's how a lot of my stage act has come about. I just go where the guitar takes me.

Once you're on stage you can't go back, even when things go wrong people expect you to stay there and entertain them. When all else fails, you've got to try tap dancing.

I'm sick to death of people saying we've made 11 albums that sounds exactly the same, Infact, we've made 12 albums that sound exactly the same.

When I'm on stage the savage in me is released. It's like going back to being a cave man. It takes me six hours to come down after a show.