My mother was a feminist, and she gave me some tools of self-possession and self-empowerment, but now that I have lived here for forty-three years, it's, like, whoa, there is just so much more to do, other than become myself. I'm still talking about it. I still drop the P-word, "patriarchy," on unsuspecting people in everyday conversations.

People who are just starting out are always sort of coming to me for advice as the example of "independent girl," and lots of people ask, well, how did you get the booking agent or the national distribution or the tours? And I look at them like, "Good lord! Relax!" I mean, how I did it was to not care about it and to not even think about it for years and years. All I thought about was getting the next little gig in the little bar, and I get this sense that people want me to give them the secret formula or the magic trick to make it all happen.

For every hand extended another lies in wait. Keep your eye on that one girl...anticipate.

I knew naturally as a child not to forfeit my creativity to a world that's all laid out for me. I'll look at everything around me and vow to keep in mind that alla this is just someone's idea. It could have just as well been mine.

I speak without reservation, from what I know and who I am. I do so with the understanding that all people should have the right to offer their voices to the chorus whether the result is harmony or dissonance. The worldsong is a colorless dirge without the differences that distinguish us, and it is that difference which should be celebrated not condemned.

What I like about being independent [in the music industry] is that anybody who does play the album on the radio and anybody who does choose to write in the media does so because they want to, because they like it or because they find something interesting there, not because they have to.

I am a thinned-skinned type. I am very sensitive, very emotional. Vulnerability is kind of always a part of my day.