What Daniel taketh away, Daniel giveth.

She liked the life she had. She loved habits. She craved a day with nothing in it, a long, quiet stretch of hours in the studio.

There are some people who fall in love over and over.

They were here all at once, but not together. Survival took self-absorption, and it made them strangers with nothing to do and no way to relate. Emergencies gave you a shape and a plot to take part in, while death was no story at all. It left you nothing.

The most haunting thing was not that he didn't love her anymore. She could have accepted that eventually. The most haunting thing was that he did. He loved her from afar. He loved her in a way that was preserved in time, that couldn't be sullied. And she tended it in her careful, curatorial way.

There were those emotions down there, and though she couldn't quite feel them, they were strong and she feared them. It was like watching a thunderhead from high up in a plane, and though you weren't under it, you knew how it would feel if you were. You knew you'd have to land eventually.

Developing characters is a strange thing. In the beginning they are abstract and I wonder how to move on from there.