I want to put a soul in a garment. I don't want my clothes to be perfect, because human beings are not perfect.

I'm very aware of the influence I've had, and I'm very pleased with that, because it proves that my work was necessary, that people liked it, and that it was right for its time which is a big compliment. But of course, this means I now have to move on. If more people are doing what I'm doing, I have to evolve. I'm pushed toward a new direction, and I have to let myself be tempted, find out where I can go.

I never leave anything behind. It's like a history, a chain, a line of life, you just have to move and make new steps, and keep it evolving - but my soul is my soul.

My work is nice, natural, it's never "been there done that," my work remains very interesting without losing my soul - because it's really me, and I am always honest with myself. I don't care what's in or out, I just listen to myself. And it's very nice to able to work like that. At the beginning people might have wondered what I was doing, but now they know my line, my evolution, I'm respected for that and that's a wonderful feeling.

Jewelry is something that has to do with emotion. That aspect of jewelry really interests me.

I want to put a soul in a garment. I don't want my clothes to be perfect, because human beings are not perfect. You can meet somebody in one of my jackets and it can all look a bit wrong, but also human and beautiful. Cutting nonchalance into a garment is difficult, because you can't just make an oversized or an asymmetric garment - it will look ugly. Making it look natural is delicate work. If it's too obvious, then it looks fake. Balancing the garment is a painstaking task, because you have to keep in mind how the clothes move.

Black is not sad. Bright colours are what depress me. They're so... empty. Black is poetic. How do you imagine a poet? In a bright yellow jacket? Probably not.