My work is nice, natural, it's never "been there done that," my work remains very interesting without losing my soul - because it's really me, and I am always honest with myself. I don't care what's in or out, I just listen to myself. And it's very nice to able to work like that. At the beginning people might have wondered what I was doing, but now they know my line, my evolution, I'm respected for that and that's a wonderful feeling.

I work for men that I would love to meet, somebody who I could fall in love with, someone who intrigues me.

Music is very inspiring to me because "true" music releases a true energy that is just inspiring. It's like when you see a beautiful painting or a wonderful film. You just receive this creative energy, and all of a sudden you want to create too.

I want to put a soul in a garment. I don't want my clothes to be perfect, because human beings are not perfect. You can meet somebody in one of my jackets and it can all look a bit wrong, but also human and beautiful. Cutting nonchalance into a garment is difficult, because you can't just make an oversized or an asymmetric garment - it will look ugly. Making it look natural is delicate work. If it's too obvious, then it looks fake. Balancing the garment is a painstaking task, because you have to keep in mind how the clothes move.

I want to put a soul in a garment. I don't want my clothes to be perfect, because human beings are not perfect.

Those that think my clothes are androgynous also still believe that women should look like Barbie dolls. That's precisely the problem, the deep-rooted assumptions about what is feminine.

Fashion has a reason to be, because in fashion you can find new kinds of expression about human beings. It's my way to communicate.