It's a question of dropping the armor and getting up and doing the work you want to do. And film at first is frightening because you are like, 'What's that camera doing?' But then it becomes family and therefore a really wonderful experience.

At some point you realize, I have dreams. I would love to be working on wonderful roles, in wonderful films, with people I respect and admire. And that will come in its time. In the meantime, "Pay attention to your work. Get better at what you do." That's my job.

I love the roles that I'm having the chance to play, and I've learned to just let go a little. Children teach you that, every day. Life is large, so do the best you can and move on. Do everything you can in a given day, and then let it go.

The lovely thing is that now being offered things is just a blast. In the beginning, I'd be offered something and be like, "What? What do you mean? Are they sure?" And now, I have less shock about it. It's just a real pleasure. It's a privilege.

The first day of shooting, you always want to turn around and go home and say, "What was I thinking?!," and put your head under a pillow and weep. I could maybe go five weeks, and then the nerves would set in about when the next job was going to happen.

I think women are used to stepping up and getting the job done when you need to.

It took a very long time to really enjoy an audition, and to get in the room and do the best that I can. I've just been deeply grateful for my career, and that the love for the work and the characters is alive still. I try to let go of the armor as much as possible and not be afraid.