The first day of shooting, you always want to turn around and go home and say, "What was I thinking?!," and put your head under a pillow and weep. I could maybe go five weeks, and then the nerves would set in about when the next job was going to happen.

I can say that I am, by nature, optimistic.

There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.

I guess getting older has its benefits, one of them being perspective.

The Leftovers was an absolutely extraordinary experience. After the first season of learning to work with Damon Lindelof and Tom Perrotta, and all of the writers, you didn't question it because it all made sense. Because Damon knows those characters so well and has thought it through so well, there was never a time that I asked a question where it wasn't answered fully.

I think women are used to stepping up and getting the job done when you need to.

The work for the actor is always the same. We're looking for a human being. We're looking for believable human behavior.