Hands, matches, an ashtray. A ritual beautiful and bitter.

Flowers, cold from the dew, And autumn's approaching breath, I pluck for the warm, luxuriant braids, Which haven't faded yet. In their nights, fragrantly resinous, Entwined with delightful mystery, They will breathe in her springlike Extraordinary beauty. But in a whirlwind of sound and fire, From her shing head they will flutter And fall—and before her They will die, faintly fragrant still. And, impelled by faithful longing, My obedient gaze will feast upon them— With a reverent hand, Love will gather their rotting remains.

This land, although not my native land, Will be remembered forever. And the sea's lightly iced, Unsalty water. The sand on the bottom is whiter than chalk, The air is heady, like wine, And the rosy body of the pines Is naked in the sunset hour. And the sunset itself on such waves of ether That I just can't comprehend Whether it is the end of the day, the end of the world, Or the mystery of mysteries in me again.

In the terrible years of the Yezhov terror I spent seventeen months waiting in line outside the prison in Leningrad. One day somebody in the crowd identified me . . . and asked me in a whisper . . . "Can you describe this?" And I said: "I can."

We aged a hundred years, and this happened in a single hour: the short summer had already died, the body of the ploughed plains smoked.

It is unbearably painful for the soul to love silently.

Not, not mine: it's somebody else's wound; I could never have borne it. So take the thing that happened, hide it, stick it in the ground; whisk the lamps away.