I have great admiration for power, a great terror of weakness, especially in my own sex, yet feel that my love is for those who overcome the mental and moral suffering and temptation through excess of tenderness rather than through excess of strength.

Morally a woman has a right to the free and entire development of every faculty which God has given her to be improved and used to His honor. Socially she has a right to the protection of equal laws; the right to labor with her hands the thing that is good; to select the kind of labor which is in harmony with her condition and her powers; to exist, if need be, by her labor, or to profit others by it if she choose. These are her rights, not more nor less than the rights of the man.

Thoughts and emotions which never perhaps were in the mind of the artist, never were anticipated, never were intended by him - may be strongly suggested by his work. This is an important part of the morals of art, which we must never lose sight of. Art is not only for pleasure and profit, but for good and for evil.

To some characters, fame is like an intoxicating cup placed to the lips,--they do well to turn away from it who fear it will turn their heads. But to others fame is "love disguised," the love that answers to love in its widest, most exalted sense.

whatever is morally wrong, is equally wrong in man and in woman and no virtue is to be cultivated in one sex, that is not equally required by the other.

There are brains so large that they unconsciously swamp all individualities ties which come in contact or too near, and brains so small that they cannot take in the conception of any other individuality as a whole, only in part or parts.

In morals, what begins in fear usually ends in wickedness; in religion, what begins in fear usually ends in fanaticism. Fear, either as a principle or a motive, is the beginning of all evil.