I feel happier knowing a starting point came from me. And I like stuff that gives you a physical reaction.

It's the balance between wanting the power of electronics and having something real happening - if you want people to engage in what you're doing, I think that's important. I want to have fun with people, but that's hard to do with a laptop.

Performances are so defined by their venues - it'd be nice for the music to dictate more of the reaction.

I want to become less and less about the laptop. That's what's lovely about an orchestra - the physicality, the way every gesture relates to something you're hearing.

Quite often, when I describe to people what I want, I'll say "overwhelming" - I want it to feel like it's phy

With the classical stuff, I've always been better at the big brushstrokes and broad textures than spending ages honing a chord, or tweaking a sample.

There's something strange about a laptop, how you can make the tiniest gesture and make the biggest sound. I don't feel I've resolved working a sense of performance into a piece yet.