With the classical stuff, I've always been better at the big brushstrokes and broad textures than spending ages honing a chord, or tweaking a sample.

Quite often, when I describe to people what I want, I'll say "overwhelming" - I want it to feel like it's phy

I feel happier knowing a starting point came from me. And I like stuff that gives you a physical reaction.

With the classical stuff, I've always been better at the big brushstrokes and broad textures than spending ages honing a chord, or tweaking a sample.

Performances are so defined by their venues - it'd be nice for the music to dictate more of the reaction.

I had thought everyone in the electronic world would be so laid back, but there's as many cliques and prejudices as any other world.

I'm up for a massive, bombastic tour with hydraulics, robots, lasers, 15 costume changes, projecting on a power station, big impact, big visuals. I'd love to realize the theatricality of the whole thing. To be overwhelming, to surprise you, maybe to play in hidden spaces.