I get to tell my truth. I get to seek meaning and realization. I get to live fully, wildly, imperfectly. That's why I'm alive. And all I actually have to offer as a writer is my version of life. Every single thing that has happened to me is mine.

Sometimes it takes failure to figure out who you aren't.

If you don't die of thirst, there are blessings in the desert. You can be pulled into limitlessness, which we all yearn for, or you can do the beauty of minutiae, the scrimshaw of tiny and precise. The sky is your ocean, and the crystal silence will uplift you like great gospel music, or Neil Young.

He got me a cup of tea with honey, toast with honey, yogurt with honey, like I was John the Baptist with the flu.

If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.

Perfectionism is a mean, frozen form of idealism, while messes are the artist's true friend.

At our most primitive we are storytellers and dancers.