My mother was a not-too-devoted atheist. She went to Episcopal church on Christmas Eve every year, and that was mostly it.

You can either set brick as a laborer or as an artist. You can make the work a chore, or you can have a good time. You can do it the way you used to clear the dinner dishes when you were thirteen, or you can do it as a Japanese person would perform a tea ceremony, with a level of concentration and care in which you can lose yourself, and so in which you can find yourself.

Writing can be a pretty desperate endeavor, because it is about some of our deepest needs: our need to be visible, to be heard, our need to make sense of our lives, to wake up and grow and belong. It is no wonder if we sometimes tend to take ourselves perhaps a bit too seriously.

You own everything that happened to you. Tell your stories.

Intelligence, goodness, humanity, excitement, serenity. Over time, these are the things that change the musculature of your face, as do laughter, and animation, and especially whatever peace you can broker with the person inside. It's furrow, pinch, and judgement that make us look older - our mothers were right. They said that if you made certain faces, they would stick, and they do. But our mothers forgot that faces of kindness and integrity stick as well.

Tell the truth as you understand it. If you're a writer, you have a moral obligation to do this. And it is a revolutionary act - truth is always subversive.

And my fear of failure has been lifelong and deep. If you are what you do- and I think my parents may have accidentally given me this idea- and you do poorly, what then? It’s over; you’re wiped out. All those prophecies you heard in the dark have come true, and people can see the real you, see what a schmendrick you are, what a fraud.