To be a good writer, you not only have to write a great deal but you have to care. You do not have to have a complicated moral philosophy. But a writer always tries, I think, to be a part of a solution, to understand a little about life and to pass this on.

You can change the world with a hot bath, if you sink into it from a place of knowing that you are worth profound care, even when you're dirty and rattled.

You want to protect your child from pain, and what you get instead is life, and grace; and though theologians insist that grace is freely given, the truth is that sometimes you pay for it through the nose. And you can't pay your child's way.

Maybe it's wishful thinking, this snaggly faith of mine, or maybe it's Miles Davis saying, Don't play what's there, play what's not there.

I wish grace and healing were more abracadabra kind of things. Also, that delicate silver bells would ring to announce grace's arrival. But no, it's clog and slog and scootch, on the floor, in the silence, in the dark.

Certainty is missing the point entirely.

We write to expose the unexposed. If there is one door in the castle you have been told not to go through, you must. The writer's job is to turn the unspeakable into words - not just into any words, but if we can, into rhythm and blues.