So Rita and I decided that the most subversive, revolutionary thing I could do was to show up for my life and not be ashamed.

I loved every second of Catholic church. I loved the sickly sweet rotting-pomegranate smells of the incense. I loved the overwrought altar, the birdbath of holy water, the votive candles; I loved that there was a poor box, the stations of the cross rendered in stained glass on the windows.

Without using the word, everyone started forgiving each other again. Just like that, from the no of all nothingness: you have a big tense mess and out of it comes some joy. It must be magic.

We write to expose the unexposed. If there is one door in the castle you have been told not to go through, you must. The writer's job is to turn the unspeakable into words - not just into any words, but if we can, into rhythm and blues.

So how on earth can I bring a child into the world, knowing that such sorrow lies ahead, that it is such a large part of what it means to be human? I'm not sure. That's my answer: I'm not sure.

Grace arrived, like the big, loopy stitches with which a grandmotherly stranger might baste your hem temporarily.

Part of me loves and respects men so desperately, and part of me thinks they are so embarrassingly incompetent at life and in love. You have to teach them the very basics of emotional literacy. You have to teach them how to be there for you, and part of me feels tender toward them and gentle, and part of me is so afraid of them, afraid of any more violation.