You can either set brick as a laborer or as an artist. You can make the work a chore, or you can have a good time. You can do it the way you used to clear the dinner dishes when you were thirteen, or you can do it as a Japanese person would perform a tea ceremony, with a level of concentration and care in which you can lose yourself, and so in which you can find yourself.

You are not your bank account, or your ambitiousness. You're not the cold clay lump with a big belly you leave behind when you die. You're not your collection of walking personality disorders. You are spirit, you are love.

The women's movement burst forth when I was fifteen. That was when I began to believe that life might semi-work out after all. The cavalry had arrived. Women were starting to say that you got to tell the truth now, that you had to tell the truth if you were going to heal and have an authentic life.

Feeding a baby is like filling a hole with putty - you get it in and then you sort of shave off all the excess around the hole and get it back in, like you're spackling.

And you try to quiet your mind so you can hear.

I do know the sorrow of being ordinary, and that much of our life is spent doing the crazy mental arithmetic of how, at any given moment, we might improve, or at least disguise or present our defects and screw-ups in either more charming or more intimidating ways.

No one tells you that your life is effectively over when you have a child: that you're never going to draw another complacent breath again... or that whatever level of hypochondria and rage you'd learned to repress and live with is going to seem like the good old days.