Hell's Bells ringing, my secret music.

It's not so," I said. "And how long do you think it will sustain you, feeling and seeing and touching and tasting, if there is no love? No one with you?

The thing should have plot and character, beginning, middle and end. Arouse pity and then have a catharsis. Those were the best principles I was ever taught.

[...] so important to believe in a concept of goodness, even if we make it up ourselves. We don't really make it up. it's there, isn't it?" "Oh, yes, it's there," she said. "It's there because we put it there.

We have such a terrible, terrible misconception of science. We think it involves the definite, the precise, the known; it is a horrid series of gates to an unknown as vast of the universe; which means endless.

I'm speaking of the character of human beings, not what they believe in. I'm speaking of those who won't accept a useless life just because they were born to it. I mean those who would be something better. They work, they sacrifice, they do things..." He was moved by this, and I was a little surprised that I'd said it. Yet I felt I'd had hurt him somehow. "There is blessedness in that." I said. "There's sanctity. And God or no God, there is goodness in it. I know this the way I know the mountains are out there, that the stars shine.

I was at a loss suddenly; but conscious all the while of how Armand listened; that he listened in the way that we dream of others listening, his face seeming to reflect on every thing said. He did not start forward to seize on my slightest pause, to assert an understanding of something before the thought was finished, or to argue with a swift, irresistible impulse -- the things which often make dialogue impossible. And after a long interval he said, 'I want you. I want you more than anything in the world.