To conjure a particular knowledge you visualize an architectural structure and then you walk around and see the details that then bring back the words or the poetry or the lines of thought. Memory's going extinct because we rely on machines and copies and so on. The idea of working with structures that conjure dreams, personages, history, time, that can be contained in this way as you walk through your mind, is a challenge.

I am a self-appointed ambassador for poetry.

I think of my father born in this very small, limited situation and then coming out of that. Many people have this story.

The puzzle and conundrums of Emily Dickinson's poetry or The Cantos, by Ezra Pound, is infinitely pleasurable. Or Ronald Johnson's Ark. And the experience extends a whole lifetime. But the intensity of certain vocalized language affects our bodies in a particular way, and that further actualization propels me. The Greeks explored this; there were very particular meters used in making war, different ones for a love chant.

Spiritual models for me are the communities of Tibetans living in exile in India, or the banjars of Bali, which exist in times of difficulty, oppression. Alternative spaces-perhaps this kind of communication can take place over the Net? Probably only up to a point as the Net's controlled by the military. But the idea is to live outside multi-national, monocultural, commodification prison, outside the grey areas of power-mad, monied collusion.

[Jack] Kerouac looking at the fellaheen worlds. Looking at other cultures. Welcoming it, curious. Really stepping outside his own limited, whatever that narrow world was. It's amazing to think we can do it. We can have that same kind of trajectory of mind.

Myths, by their definition, involve transformations, struggles through various worlds or layers of reality and of obscuration.