I'd like to invoke the Native American Navajo because their word for road is used as a verb. Their whole relationship to road has to do with how you travel it, who you are traveling it with, what the environment might be, where you're headed, in what direction, the weather and so on.
Anne WaldmanI think of my father born in this very small, limited situation and then coming out of that. Many people have this story.
Anne WaldmanIf you can integrate your life to have a kind of meditative practice that is considering others.
Anne WaldmanHow infuriating it is to be continually born to war that continues one's whole lifetime, even as one protests it - what futility. It is perhaps a more public epic in this regard, and carries a ritual vocalization.
Anne WaldmanMy father shared the ethos of many of the beat writers and was a friend of Allen Ginsberg. Probably for 25 years of my father's life, He had been an itinerant piano player and so traveled the road with bands and that sort of thing.
Anne WaldmanWe humans need to do better with our vast minds and alchemical powers. Future radial poetries might be more symbiotic with the rest of consciousness.
Anne WaldmanMy love of poetry comes from the "actualization" I experienced in the poetry of others. And I was reading it silently and there is deep pleasure in that intimacy, a mind-to-mind transfer going on. All the music is there, inherently. And mystery as well.
Anne WaldmanIn a way, America's the shadow of everything I do, everywhere I go, everything I carry, no matter if I travel to the ends of the earth. And I live frequently on the spine of the continent, near the Great Divide. Then there's the side of it being the real energy center for a truly post-postmodernist poetry mind, which is also archaic, because we can still be close to the land.
Anne WaldmanIt was really hard coming to terms with the Nazi history. Then in my twenties I was traveling to Germany. There was a lot of poetry activity and some of my first readings abroad and trying to relate with people my own age there and what they were discovering and learning had to examine in terms of their backgrounds. Then so many of my friends had family who had either perished in the holocaust or survived in the holocaust. It was very palpable.
Anne WaldmanI had a student some years ago whose father had worked on the Manhattan Project. I had a student who had to escape this very intense, born-again fundamentalist Christian background that was very much like a cult and of course they struggle to get to Naropa. And they have cut themselves off. They don't look back.
Anne WaldmanAs a younger person you can come in through many, many gateways. It's like some huge Mandela. You can enter into this and get refreshed.
Anne WaldmanI'm concerned about the overuse of spectacular places. And there's no real wilderness left and so there's a heartbreak there. You can go anywhere and be rescued through your cell phone and have some helicopter drop down.
Anne WaldmanOur need to reimagine our world through the vibratory larynx, that's what matters. Re-awaken the world to itself. Through ideas, pictures, sounds. Hold the mirror up to "nature."
Anne WaldmanWhat I propose for the "life of a poet" goes against the grain of the fossil fuel monoculture. Maybe the most revolutionary act these days is not to watch television and to read a book a day at least.
Anne WaldmanWe still have our larynx, we still have our minds and we still have our consciousness. We still have this gift to make things with words and images and get outside these preordained tropes and ways of thinking and the master narratives - what's handed to us.
Anne WaldmanWe had much more imagery from Vietnam war. The media was not controlled. The storyline, the master narrative was not controlled. I thin it was some those images really radicalized people and shifted things to some extent. And the Viet Cong also, their tenacity.
Anne WaldmanYour compassion travels beyond your own inner circle. And then you breathe out an alternative version where you mentally and emotionally and psychologically purify the poisons. So indeed, the generative idea is in the crux of this practice and of my propensity toward poetry, which is a practice of the imagination.
Anne WaldmanA lot of my father's generation were thinking about communism and had deep liberal and progressive connections. He never admitted whether he was a card-carrying communist party member but I think its possible.
Anne WaldmanI think anything that gets people outside [is good] - I'm a big supporter of public parks and public spaces.
Anne WaldmanNo one begs you to be a poet or write a 1000-page poem. You have to be fueled by a drive, a conviction - a need, a necessity, a vision that is so pressing that it has no other outlet but through you. That doesn't mean that you are unconscious or in trance, but there can be moments like that.
Anne WaldmanFor me the road became a zone, in places like Saint Marks poetry Project where I worked for 12 years.
Anne WaldmanGrowing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.
Anne WaldmanMy older brother was involved in the folk movement. We would gather every weekend in Washington Park. The folk songs were so important to my reality.
Anne WaldmanI think Visions of Cody is the most radical book in terms of poetic stretch and the way Jack Kerouac is able to incorporate documentation and incorporate the live tape recording of Neal and so on.
Anne WaldmanThe puzzle and conundrums of Emily Dickinson's poetry or The Cantos, by Ezra Pound, is infinitely pleasurable. Or Ronald Johnson's Ark. And the experience extends a whole lifetime. But the intensity of certain vocalized language affects our bodies in a particular way, and that further actualization propels me. The Greeks explored this; there were very particular meters used in making war, different ones for a love chant.
Anne WaldmanOne has to be cautious and respectful of the power of the "substance" guides. I don't advocate imbibing the "little saint children," as Maria Sabina calls the magic mushrooms, or anything else for everyone. I find that certain substances reconnect me to a primal context of purpose that goes beyond identity and ownership. The writing-when I've worked it this way-is the kind of information you take back from dreams. Or it's hypnotic writing rather than getting off on some sort of pleasure trip or intellectual trip.
Anne WaldmanI had parents who were attentive to what was going on politically. There was the Greek connection, a sense of a larger world. People coming in from abroad. There was a sense of community around ideas: a discourse and an adhesiveness which is my favorite word from [Walt] Whitman.
Anne WaldmanThere are energies that reside in each phone and phoneme. And we can release them. And it can be grand and vast and you can create a realm where you can dwell for a while. Where things are perfect symbols of themselves, no manipulation. And that connects to me to the Buddhist view. From that perspective we can wake up on the spot, be conscious of our world, think of others.
Anne WaldmanThe color red is symbolic of passion and action, so this Vajrayogini, as she's called, comes with a mantra and she comes with these various weapons and accouterments that are all symbolic of the kind of activity that this principle, as it were, this psychological principle, does or activates in the world. And there's text and mantra as well.
Anne WaldmanI invoke that sense of the particulars of that kind of literal travel and what that has meant historically in terms of diasporas, in terms of the migrations of immigrants coming to this [U.S.] country with a real vision of finding the promised land.
Anne WaldmanIt's so rich as a trope - the whole idea of the road and it being in terms of language, being an active experience.
Anne WaldmanI grew up in New York City in Greenwich Village and had parents who were somewhat bohemian so I was always on the nonconformist side of the equation.
Anne WaldmanThe dichotomies, the brokenness of the culture around things like the Vietnam war, and then a lot of it has to do with war and where we put our energy and money and attention. And the military industrial complex, which dominates our whole economy. Even with the vision of democracy in other places we know the dark side.
Anne WaldmanMy father was a frustrated writer. I think he wanted to write the great American novel.
Anne WaldmanI was not ever hitchhiking alone. I've done solo train trips but I've never driven myself alone.
Anne WaldmanI am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
Anne WaldmanI did go to Vietnam in 2000 as a kind of pilgrimage and to feel my generation was very much a part of this. I felt responsible but also connected and empathetic. It was a very complicated relationship we had, whichever side you were on. The shock of being there was very few people my own age - I was primarily in the North in the streets of Hanoi. A whole generation was essentially decimated.
Anne Waldman