I always wonder about people's history and their lives, especially people that are a little bit more distant, who obviously have had some kind of a thing and you know there's some reason why they're not able to connect. It's not because they don't want to. They don't have the ability.

We're not all evil or all good, and we all make mistakes to one degree or another.

Once I get on something, once I have something that I'm working on, then I become very obsessive. In a good way. I mean,... is there a positive way to say obsessive? It's a good thing and if you're out there and you're working on something right now and you're crazed and you're up in the middle of the night, or you can't stop thinking about it, or you have to keep reading other things about the subject that you're working on or whatever. That's good and I think that's necessary creatively.

As an actor, you want to be open to the unexpected. So in order to be open to that, you do have to get out of your discursive mind just like in any creative process, this isn't just about acting. So you have to learn a little bit how to work with your own mind.

That's one of the most important things about acting is not just when you're speaking but when you're taking in from someone else. So I often go to the theater and I'm watching the person who's not talking. I love that.

We all have our insecurity and that's normal. And you have to learn to accept that about being an artistic person or aspiring to be an artistic person is that fears and insecurity, they don't go away.

I had never met an actress or an actor when I thought that I might like to be one. I had never been around people in show business or from the theater or from movies or anything. And I say that as an encouragement, I don't know some people who want to be doing what I'm doing or be involved in film. You don't have to be from it to get interested and get involved. I certainly wasn't.