I always wonder about people's history and their lives, especially people that are a little bit more distant, who obviously have had some kind of a thing and you know there's some reason why they're not able to connect. It's not because they don't want to. They don't have the ability.

I always wonder about people's history and their lives, especially people that are a little bit more distant, who obviously have had some kind of a thing and you know there's some reason why they're not able to connect. It's not because they don't want to. They don't have the ability.

I've always been pretty levelheaded. In show business you need to have a certain internal stability.

One of the things on a very practical level as an actor or actress is that when you do a play, you do the entire story every time you do it. You have eight shows a week. You have a rehearsal process of four to five to six weeks. And then once you're in performance, everybody else goes away and you're there with your fellow actors and the audience and the material and your life becomes about that. And you go through the story from the beginning to the end every time you do it and depending on how long you do it, that's where the craft comes in.

Sometimes people don't rehearse at all, but you might have had a chance to rehearse for a few days, or even more than that. Then in the moment when the camera's running is the only time it matters. So whatever you've discussed or thought about or discussed with the director, the other actors, hopefully there's a part of the experience that you've left open so that only in that moment the camera catches it. That's of course the hardest thing to do because everything is planned and you have thought about it in advance.

I am really looking forward as I get older and older, to being less and less nice.

We all have our insecurity and that's normal. And you have to learn to accept that about being an artistic person or aspiring to be an artistic person is that fears and insecurity, they don't go away.