Things either become unclear in a story or they're just ambiguous with no real point. So defined gray area with clarity that also works in the narrative, that's tricky.

We all perform our lives in a way. And the actor is a perfect metaphor to get at that theme of "how do we find our authentic selves?" And that we all - whether we're actors or not - perform ourselves. As a way of searching. As a way of fumbling around and trying to say, is this my voice? Is this who I am?

I'm just as intrigued by acting as ever. It's an ongoing process. There's no arrival. There's no point at which you say "Oh, OK, done it, got it." It just doesn't happen. And that's true of any creative endeavor. For me, it's just a lifelong interest. I'm very much interested in the craft. I started by doing plays and it took me a long time to feel comfortable doing movies, working with cameras. I felt like I was a theater actress pretending that I was a movie actress for quite a while. Now, I just love the process of working with cameras and being on a set and trying to put a film together.

All of modern acting comes from Stanislavski, who was the Russian partner to Chekhov. When Chekhov was writing his plays, Stanislavski was running his theater. And Stanislavski really was the first inventor of modern acting and then everything that came out of the method and Stella Adler and the great teachers really came out of him.

I still remember the five points of salesmanship: attention, interest, conviction, desire and close.

We want to be seen for who we really are, and each person has his own complex story and reasons for doing what they do.

This is a good thing to say to film students. If there's a story point that you don't feel right about, that there's a question you have - "Does it really make sense?" Or, "Is that plausible? Is it implausible? Is it set up?" Or whatever. Go at it. Don't let it go. If there's a question in your mind, you're probably right. You probably do need to work on it and think about it more.