We want to be seen for who we really are, and each person has his own complex story and reasons for doing what they do.

As an actor, you want to be open to the unexpected. So in order to be open to that, you do have to get out of your discursive mind just like in any creative process, this isn't just about acting. So you have to learn a little bit how to work with your own mind.

I like that I've been through things, that when something happens, it resonates with something that already happened. It's not that things like loss are more or less painful. But they're deeper. I find that fascinating.

One of the things that I love when I go to a film or when I'm reading some book or whatever, is to be told a secret I thought only I knew and then someone says, "Oh my gosh, you know, too." And film can take us into private moments in a way that the theater, I think, kind of can't, and that's one of the reasons I like doing films. And the way a book can is that these little secrets and the private things that go on in our minds that maybe we haven't shared with anyone, and then someone writes it or shows it to you in a film, you think, "Oh, that's me. Oh my God, that's me, I have that secret."

Don't wait to have a baby! Do it now!

Maybe that's one of the virtues of the 2016 election that we're going through is all of this racism and xenophobia and sexism and whatever else you want to say is being exposed, maybe that's a blessing. I'm trying to look at the positive side of what's been happening in our country, which is frightening.

I fall in love with all the people I'm working with, women, directors, everybody. As actors, that's actually one of the real pleasures of the work. You have this weird opportunity to get unnaturally close to people very quickly.