If I actually believed that the progress of human understanding depended on our crop of contemporary novelists, I would shoot myself.

The world knew you before you knew the world.

All my books started out as extravagant and ended up pure and plain.

Many writers do little else but sit in small rooms recalling the real world.

The morning woods were utterly new. A strong yellow light pooled beneath the trees; my shadow appeared and vanished on the path, since a third of the trees I walked under were still bare, a third spread a luminous haze wherever they grew, and another third blocked the sun with new, whole leaves. The snakes were out - I saw a bright, smashed one on the path - and the butterflies were vaulting and furling about; the phlox was at its peak, and even the evergreens looked greener, newly created and washed.

About five years ago I saw a mockingbird make a straight vertical descent from the roof gutter of a four-story building. It was an act as careless and spontaneous as the curl of a stem or the kindling of a star.

Tonight I walked around the pond scaring frogs; a couple of them jumped off, going, in effect, eek, and most grunted, and the pond was still. But one big frog, bright green like a poster-paint frog, didn't jump, so I waved my arm and stamped to scare it, and it jumped suddenly, and I jumped, and then everything in the pond jumped, and I laughed and laughed.