I have the weirdest job. It's not every day that you get to stand up onstage and unload every ounce of your misanthropic bile onto a crowd of people, and they're like, "Cool! Hit us again!"

I have a lot of guitar heroes I guess, some of them are female and some of them are male. Robert Fripp is one of them, and Marc Ribot, that's another guitar hero.

I have the weirdest job. It's not every day that you get to stand up onstage and unload every ounce of your misanthropic bile onto a crowd of people, and they're like, "Cool! Hit us again!"

For a brief moment, I considered deconstructing the song and going down a cerebral road, but then I realized it would kill what is most powerful about it.

I had brief glimpses of emotional catharsis while writing. I remember reading something Philip Roth wrote about how he writes every single day, but it's almost as if he has amnesia every morning - he has almost zero confidence that anything will come but he just sits down and plugs away. And at the end of the day it feels like a miracle: "How did I do that?" I had a similar experience where it was just about putting in the hours and being present.

The schematics are a little bit tricky, but once you get it down you're able to really program an entire show. Every song has a lot of different guitar sounds in it, so that's what it is.

I think anything that you can't poke fun at is a little too precious.