Checking voicemail is like, "When's the other shoe going to drop?" I'm always afraid it's going to be terrible news I don't want to hear.

I have the weirdest job. It's not every day that you get to stand up onstage and unload every ounce of your misanthropic bile onto a crowd of people, and they're like, "Cool! Hit us again!"

Everybody's got a dark side, but mine doesn't include being around people who are mean.

I got offstage and was just looking at my hands, and they were shaking. I was like, 'I wanna kill someone! What's happening?'

All these things that we are very nostalgic for come from a place of technology dictating [art]. This time and place is no different.

I wouldn't say I'm a very technical [guitar] player. I'm more intuitive - it's always more about chasing an abstraction.

I do love the ceremony of putting on a record but I don't have space for a vinyl collection.