One doesn't stop seeing. One doesn't stop framing. It doesn't turn off and turn on. It's on all the time.

One doesn't stop seeing. One doesn't stop framing. It doesn't turn off and turn on. It's on all the time.

I've always cared more about taking pictures than about the art market.

All dancers are, by and large, a photographer's dream. They communicate with their bodies and they are trained to be completely responsive to a collaborative situation.

I’ve said about a million times that the best thing a young photographer can do is to stay close to home. Start with your friends and family, the people who will put up with you. Discover what it means to be close to your work, to be intimate with a subject. Measure the difference between that and working with someone you don't know as much about. Of course there are many good photographs that have nothing to do with staying close to home, and I guess what I'm really saying is that you should take pictures of something that has meaning for you

Things happen in front of you. That's perhaps the most wonderful and mysterious aspect of photography.

You have trust in what you think. If you splinter yourself and try to please everyone, you can't.