There are always two people in every picture: the photographer and the viewer.

Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of "phonies" in all the arts.

Twelve significant photographs in any one year is a good crop.

You don't take a picture, you make a picture.

I’m interested in something which is built up from within, rather than just extracted from without.

The (photographic) negative is the equivalent of the composers score and the print is the equivalent of the conductors performance.

Bad weather makes for good photography.