It's funny how the colors of the real world only seem really real when you watch them on a screen.

There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of field of the novel and into that of the fable or the allegory. - from the introduction of the 1986 Norton edition

The writer's life seethes within but not without.

...We're a government that believes in everybody having the illusion of free will.

And I sort of frowned about that, thinking. 'You felt ill this afternoon,' he said, 'because you're getting better. When we're healthy we respond to the presence of the hateful with fear and nausea. You're becoming healthy, that's all.

It's always good to remember where you come from and celebrate it. To remember where you come from is part of where you're going.

The aura of the theocratic death penalty for adultery still clings to America, even outside New England, and multiple divorce, which looks to the European like serial polygamy, is the moral solution to the problem of the itch. Love comes into it too, of course, but in Europe we tend to see marital love as an eternity which encompasses hate and also indifference: when we promise to love we really mean that we promise to honor a contract. Americans, seeming to take marriage with not enough seriousness, are really taking love and sex with too much.