There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters.

Sanity is a handicap and liability if you're living in a mad world.

Then, brothers, it came. Oh, bliss, bliss and heaven. I lay all nagoy to the ceiling, my gulliver on my rookers on the pillow, glazzies closed, rot open in bliss, slooshying the sluice of lovely sounds. Oh, it was gorgeousness and gorgeosity made flesh.

The meal was pretentious - a kind of beetroot soup with greasy croutons; pork underdone with loud vulgar cabbage, potato croquettes, tinned peas in tiny jam-tart cases, watery gooseberry sauce; trifle made with a resinous wine, so jammy that all my teeth lit up at once.

The trouble began with Forster. After him it was considered ungentlemanly to write more than five or six novels.

One goes on writing partly because it is the only available way of earning a living. It is a hard way and highly competitive. My heart drops into my bowels when I enter a bookshop and see how fierce the competition is...There is also a privier reason for pushing on, and that is the hopeless hope that someday that intractable enemy language will yield to the struggle to control it... Mastery never comes, and one serves a lifelong apprenticeship. The writer cannot retire from the battle; he dies fighting.

All novels are experimental.