It created in me a yearning for all that is wide and open and expansive. Something that will never allow me to fit in in my own country, with its narrow towns and narrow roads and narrow kindnesses and narrow reprimands.

I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene. I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take.

Most of my last 30 years have been like that. Results and manifestations of things I'd dreamed of as a young kid and wanted as a child and as a young man. I realized it maybe 30 years ago. I thought, "This is unreal. This has happened as I expected it to, as I'd pictured it." My whole life has been like that and I'm fascinated by that power that we all have. That we create our lives as we go.

Acting's entertainment. It's not brain surgery.

I tried acting, liked it, and stuck with it. I saw it as the way I would keep that promise to myself of getting back at those who had made my school life a misery.

I know how to be strong. I know how to be ruthless. It's part of my nature. I wouldn't be an actor if I wasn't.

I've always liked American actors particularly. Because that was my first impression. I was very enamoured of America when I was a kid because we were surrounded by American soldiers during the war, the accent was very strange to me, it was very exotic and very captivating.