When you are at the right age to play Hamlet you are still to young and immature to play it. It is much later, when you get the life experience and the emotional power, that you understand Hamlet or Macbeth.

What is so liberating about this whole business is when you see that, you know, big movies are going to come out, huge movies are going to come out, and then you see them up in Malibu in the little Triplex theater a week later, on the scratch negative, and you think...“This is show business. This is the great movie career. And it’s all finding it in the shoebox.”

I like to work. I don't like to disrupt my equilibrium. I don't like to change my head. I'd rather be a third-rate actor. It's a job, and I'm dedicated in my way. I enjoy it. I'm serious about it. But if it doesn't come off, I'm not going to die.

Acting is constricted because you have the lines. But I improvise with it and what I learn on the set. I improvise rhythms and just changes.

My father was grounded, a very meat-and-potatoes man. He was a baker.

I believe I am quite amiable and affable and quite fair, and I've rarely worked with people who are the opposite. Moodiness scares me. What gets to me is unkindness. Madness. Unwarranted cruelty through words. People who scream and shout at work. I hate confrontation and violence. I've done it in the past and I don't want to do it again. I guess I want a perfect world.

I was lousy in school. Real screwed-up. A moron. I was antisocial and didn't bother with the other kids. A really bad student. I didn't have any brains. I didn't know what I was doing there. That's why I became an actor.