Musical practice is too young an art in America to warrant a search for men with a conductor's gift.

I learned, too, how it was possible with the help of the picture and action to transform an apparently insignificant violin passage into an incident, and to lift a simple horn call into a thing of stupendous significance by means of scenic emphasis.

I have often heard the statement made by foreign singers, as a demonstrated fact, that the German artists are artists in feeling indeed, and serious in their devotion, but that their singing is crude.

America does not need gorgeous halls and concert rooms for its musical development, but music schools with competent teachers, and many, very many, free scholarships for talented young disciples who are unable to pay the expense of study.

The conductor's gift does not always go hand in hand with that of composition; indeed, the union is found much more seldom than is popularly believed.

It is simple nonsense to speak of the fixed tempo of any particular vocal phrase. Each voice has its peculiarities.

Of course, experience strengthens one later.