I usually bring a point and shoot with me so I can go out on the weekends and shoot a bit. I used to bring more cameras, but I'm also an Ebay nut so sometimes I'll order something if I'm really pining for it when I'm on location.

I don't really like watching my work. I don't mind watching it when I was a little kid because I forgive myself a lot, since I was a little kid.

There are two parts of me. There's the really critical, film-nerd part of me that loves that, and then there's the part of me where I'm like, "I really didn't like that movie, but I want to work with that director because he loves actors."

It would be nice to live off the land and fix cars.

One of my favorite vampire movies is 'Nosferatu,' which has a palpable sense of dread that's a pre-war dread.

Taking photographs seems to be a means to express some kind of emotional, abstractive narrative. I look at the images that I'm most proud of like a film about the world the way I see it (or at least saw it at that moment, a perspective that seems to be ever-shifting and filled with self-doubt.)

My parents were of the opinion, because they had started skating very young, that you should have something that you do that you care about, because it structures your life as you're growing up.