I need what I'm thinking to come out into the world, even if it's a two-word approval, like, "Yeah, I agree," I need that approval so that in the morning I can get up and use that when I go to work. It's a weird version of focusing.

I'm sure there are directors who don't like to work with actors and don't know how to be sensitive to actors.

Taking photographs seems to be a means to express some kind of emotional, abstractive narrative. I look at the images that I'm most proud of like a film about the world the way I see it (or at least saw it at that moment, a perspective that seems to be ever-shifting and filled with self-doubt.)

I think you can always find interesting, complex and fascinating characters to play in different kinds of movies. It's in your hands.

The ability to have a choice in what you do is a privilege.

In a relationship when things are really great you don't need to say anything and just enjoy the other person. Sometimes with a couple, it gets dark and you don't know what to say and that silence can last all day. Other times you don't want to stop talking because you don't want to lose one another.

I like film because it brings you very close to the absurd reality that you might spend a day shooting and not get a single image that you like or works, and you won't really know for a few days at least as you wait. It connects you and grounds you to a material reality and a patience that seems lost with digital. I also think the grain texture remains forever different, and in my opinion, what I find to be more beautiful.