When you don't understand the fashion world you're just grateful you get to wear good clothes.

At age 12 I had an obsession with Kubrick's A Clockwork Orange and then proceeded to watch all the other Kubrick films I could including a doc called Stanley Kubrick: A Life in Pictures in which it was revealed to me that he started as a photographer...I got a camera sometime shortly after, but spent many years just photographing flowers in my neighborhood.

The music that really moves me is music that's written by people where there isn't a lot of money and they're really singing with just their voice and a guitar about their feelings and about their life. Their poetry is relatively simple, in the sense that it's about their soul in jeopardy.

I've been lucky to be able to work with great people and on interesting material.

I think what inspires me is in a constant state of flux...it's easier to stick to photographers and perhaps cinematographers, though the great medieval, Mannerist, and Baroque painters of Italian, Spanish, Flemish, and German origin are a constant source of inspiration, along with select modernists like Dali.

You don't share the things you're forced to share [on a movie set].

And also, that's the kind of wonderful thing about film culture, is the interaction between films and who works on what, where they were before, and now what they're doing now, and that inevitably informs how people view a film.