If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, "huh."

I wanted to do gigs where you've just got mirrors on the stage, and then you light the crowd so they look at the stage and all they can see is themselves. It's just like, "There you go, it's you, you cunts."

I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.

Forget all the equipment, forget the music, at the end of the day it's just literally frequencies and their effects on your brain. That's what's everyone's essentially after.

Well, I just bought a massive bank and I've moved into it on my own.

The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.

If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.