If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, "huh."

That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.

In Britain, it's good for me to be anonymous, because they just think it's a nobody. "Who is this guy?"

A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.

I've got a weird balance problem as a human being, like I'm dizzy, and it's something to do with that.

If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.

Well, I just bought a massive bank and I've moved into it on my own.