I actually prefer it if I don't know what I'm supposed to do. If you've got an equal temperament piano keyboard, then you know what you're going to get if you play certain chords. But I actually like it if you don't know where the notes are, because then you do it intuitively. You're working out a new language, basically. New rules.

In Britain, it's good for me to be anonymous, because they just think it's a nobody. "Who is this guy?"

A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.

That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.

The best musicians or sound-artists are people who never considered themselves to be artists or musicians.

Well, I just bought a massive bank and I've moved into it on my own.

If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.