If you've got a stick hitting a drum and you're programming it on a computer, it's so much more interesting than a sample playing back - it's something in the air, that's the magical ingredient.

I used to love jungle. I still think it's the ultimate genre, really, because the people making it weren't musicians.

I've got a weird balance problem as a human being, like I'm dizzy, and it's something to do with that.

A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.

If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.

In Britain, it's good for me to be anonymous, because they just think it's a nobody. "Who is this guy?"

Forget all the equipment, forget the music, at the end of the day it's just literally frequencies and their effects on your brain. That's what's everyone's essentially after.