When I look at commercial studios, I think, "Oh, they're all so nice and tidy," but it's because they don't actually write music in them.

I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.

That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.

I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.

It's really funny, because if you make up words, then people project their own meanings onto it, which I find interesting.

If you've got a stick hitting a drum and you're programming it on a computer, it's so much more interesting than a sample playing back - it's something in the air, that's the magical ingredient.

I've got a weird balance problem as a human being, like I'm dizzy, and it's something to do with that.