Forget all the equipment, forget the music, at the end of the day it's just literally frequencies and their effects on your brain. That's what's everyone's essentially after.

I got a feeling I had loads when I was in primary school, 'cause I had red hair; you know, like Duracell.

A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.

You change all the time. Everything changes you.

Well, I just bought a massive bank and I've moved into it on my own.

Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.

If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, "huh."