It's not about what equipment you have, it's what you do with it.

It always sounds more right to me when it's detuned. When it's right in tune, it's like there's something slightly off. But at the end of the day, it's all about frequencies and what they do to you. That's the real core.

If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, "huh."

I got a feeling I had loads when I was in primary school, 'cause I had red hair; you know, like Duracell.

There's a lot of melancholy in my tracks.

It's really funny, because if you make up words, then people project their own meanings onto it, which I find interesting.

That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.