It's not about what equipment you have, it's what you do with it.

It's not about what equipment you have, it's what you do with it.

The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.

It's quite similar to guitar solos, only with programming you have to use your brain. The most important thing is that it should have some emotional effect on me, rather than just, 'Oh, that's really clever.'

You can't rely on the fact that people know you. At Glastonbury, when they all knew I was DJing, everyone was cheering even though they'd never heard some of the tracks I was playing before.

A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.

When I look at commercial studios, I think, "Oh, they're all so nice and tidy," but it's because they don't actually write music in them.