I got a feeling I had loads when I was in primary school, 'cause I had red hair; you know, like Duracell.

If you've got a stick hitting a drum and you're programming it on a computer, it's so much more interesting than a sample playing back - it's something in the air, that's the magical ingredient.

There's a lot of melancholy in my tracks.

Forget all the equipment, forget the music, at the end of the day it's just literally frequencies and their effects on your brain. That's what's everyone's essentially after.

You change all the time. Everything changes you.

I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.

Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.