I'm a drummer. I've been playing since I was three. I was in college bands when I was in elementary school: you'd see all these older kids and then this little kid behind the drums creating this big sound.

I'm always blowing the speakers out in studios, like, there's smoke coming out of them. I found out that I'm not built for studio monitors. I record and mix down everything in the headphones and then I bring it to the speakers.

I am an alien. I start a lot of relationships with artists because of what I'm capable of doing with the machine and with beats. Anyone can just listen to a beat, that's boring. But when you actually perform in front of them, it's like: wow. It's undeniable talent. That's my advantage.

I'm a drummer. I've been playing since I was three. I was in college bands when I was in elementary school: you'd see all these older kids and then this little kid behind the drums creating this big sound.

There are a lot of people who have used the same samples I've used, but there's no way they flipped it the way I did. So, when I put my version out, people completely forgot that this [other] person did it. Everyone can have the same product, but it's more about the way you present it and put it together.

People are going to be seeing me a lot everywhere: TVs, music, movies, festivals. You name it, I'm gonna be there.

I want to produce with people that are going to be on the charts and win Grammys because having regular old street songs is cool, but I did all that already.