I am an alien. I start a lot of relationships with artists because of what I'm capable of doing with the machine and with beats. Anyone can just listen to a beat, that's boring. But when you actually perform in front of them, it's like: wow. It's undeniable talent. That's my advantage.

I'm a drummer. I've been playing since I was three. I was in college bands when I was in elementary school: you'd see all these older kids and then this little kid behind the drums creating this big sound.

I don't practice. It's a gift. It's talent. Obviously, I do it all the time so it's like I'm practicing, but that's just what I do. Sometimes I'll be in the studio flipping through beats and I'll do something quick and people will be like, "What the?!" It's natural! I don't need to be nice like that, I just do it.

I want to produce with people that are going to be on the charts and win Grammys because having regular old street songs is cool, but I did all that already.

I don't want my music to stay New York, I want it to be everywhere.

People are going to be seeing me a lot everywhere: TVs, music, movies, festivals. You name it, I'm gonna be there.

I saw someone label me as a dubstep producer but I'm definitely not a dubstep producer. There's nothing wrong with that, though, because that's major. But it's like a school bus driver being labeled as a NASCAR driver. I would love to be a NASCAR driver, but I drive buses for a living.