I extol life so much that I cannot make art.

It's surprising that readers don't see challenging writing as morally hazardous, when it might be pushing the same kinds of boundaries as art does.

My art practice eventually arrived at a point where I had freedom from various limiting conditions; the institutional mindset is not airtight and isn't altogether ideologically programmed. There are ways of escaping.

I'm still useful in my capacity as an arts educator and caretaker for the stray dogs.

Women in Thai society have been placed in the space of the home. It is possible that women have assuredly taken up that place without thinking too critically about it.

There might just be a universal expectation to respect the dead, but my work is also born from another aspect of Thai society - that is, the overemphasis on familial bonds.

Thai society rarely attempts to control literature in the same way that it vigilantly polices visual art. It's ironic because people in this society are more aware of literature than they are of art.